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Developing Ideas and Advertising Concepts

Developing Ideas and Advertising Concepts

1h 33mBeginner2013-08-16

Authors

Craig Smallish

Craig Smallish

Concept Illustrator, Visual Designer, Educator

Course details

After landing a client, the designer's first chore is to communicate and develop the initial idea, whether it's a storyboard for a film or ad, or a multifaceted marketing campaign for a product or service. Learn how to transform a client's request into a presentable concept in this course. Craig Smallish walks through the development process for various creative scenarios, from assessing the client and the scope of the job to free-associating and sketching your ideas. Learn to create descriptive copy to accompany your visuals and create iteration after iteration of your design. Finally, Craig shows how to choose your strongest idea through a process of refinement.

Learning objectives
What is concepting?
Working with clients
Doing your research
Determining the core values of a product or service
Using free association
Building the written descriptives
Using search engines to fuel ideas
Flipping your ideas 180 degrees
Creating a rough sketch
Defining the refined sketch

Skills covered

Small Business ManagementSmall Business and EntrepreneurshipOne-Off

Concepts

Introduction

  • Welcome
  • The importance of the original idea
  • What is concepting
  • Demystifying the process in the creative process

The Client

  • Working with clients
  • Defining the project
  • Defining the project obstacles

Challenges Around Every Corner

  • Doing your research
  • Avoiding the pitfalls of mediocrity
  • What is a concept plan overview

Establishing Core Values and Seed Phrases

  • Using storytelling to determine core values
  • Using questions to distill the core values
  • Determining core values

The Free-Association Process - Finding the Raw Ingredients

  • Using the free-association process
  • Starting with seed phrases
  • Using the power of collaboration to increase ideas

A Concept is Born

  • Honing your ideas
  • Reviewing your descriptive words and sketches to find the best ideas
  • Experimenting with your ideas

One Great Concept Deserves Another

  • Maintaining a diversity of ideas
  • Using search engines to fuel ideas
  • The rough concept retrospect

The Rough Sketch

  • Defining the rough sketch
  • Visually defining your ideas
  • The strength of iteration

180-Degree Thinking - Does Your Concept Have an Evil Twin

  • What is 180-degree thinking
  • Demonstrating the approach

The Revised Sketch - How to Make Your Great Concept Even Better

  • Defining the revised sketch
  • Demonstrating the approach
  • The importance of exploring variation (perspective, media selection, and stylistic approaches)

The Refined Sketch - Tweak, Tweak, Tweak

  • Defining the refined sketch
  • Demonstrating the concern for detail

The Final Selection - And the Winner Is

  • Revealing the final concept comp solution
  • Reflecting on the process path

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