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ZBrush: Polypaint

ZBrush: Polypaint

1h 14mIntermediate2016-07-28

Authors

Michael Ingrassia

Michael Ingrassia

Expert 3D product design and industrial visualization services

Course details

ZBrush's Polypaint feature allows artists to paint directly on a model's surface without first assigning a texture map. Simply create your texture map at a later time by transferring the painted surface into a texture. Polypainting is much faster and much more fun than the standard workflow—and you can easily change the size and resolution of your map and remap the UVs. Join Michael Ingrassia as he shows how to use Polypaint for advanced texturing in ZBrush. Learn dark-to-light painting techniques, how to set up meshes for colorizing, and how to create various texture effects, including metallic finishes and stippling.

To learn how to sculpt the 3D pirate journal featured here, check out Michael's previous course, ZBrush: Stylized Sculpting.

Learning objectives
Setup and preparation
Painting a metallic object
Adding base and highlight colors
Refining sculpt details
Using masking
Adding a stippled texture with Colorized Spray

Skills covered

3D SculptingZBrushPixologicVisualization and Real-TimeAnimation and IllustrationDeep Dive (X:Y)

Concepts

0. Introduction

  • 01 - Welcome

1. Getting Started

  • 02 - Setup and preparation

2. Painting the Compass

  • 03 - Texturing the compass ring
  • 04 - Adding a scratch alpha to create a metallic shine effect
  • 05 - Adding a complementary color to the paint

3. Painting the Skull

  • 06 - Beginning the base color
  • 07 - Adding the highlight colors

4. Painting the Book Clips

  • 08 - Refining sculpt details on the book clip
  • 09 - Detailing the paint effect on the book clip

5. Painting the Book Cover

  • 10 - Painting the book cover
  • 11 - Using masking to paint the octopus
  • 12 - Importing concept art for color selection
  • 13 - Adding color to the suckers and dimples of the octopus
  • 14 - Use Colorized Spray to add more stippled texture

6. Finalizing

  • 15 - Painting the barnacles
  • 16 - Texture review

Conclusion

  • 17 - Wrapping up

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