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Video Journalism: Shooting Techniques

Video Journalism: Shooting Techniques

2h 5mIntermediate2012-06-19

Authors

Jeff Sengstack

Jeff Sengstack

Adobe Certified Expert and Instructor

Course details

Join video producer, instructor, and former TV news reporter/videographer Jeff Sengstack as he presents practical tips on shooting video with shots and angles that support the story and make it more visually interesting. This course explains how to craft the story and plan your production and includes several still photography techniques that work well with video. The course also shows how to achieve shots such as sequences, matched action, reveal, trucking, and point of view, and reminds videographers to keep considering what the video editor will need to keep the story moving forward.

Learning objectives
Creating effective stories
Planning the shoot
Setting proper exposure, shutter speed, and focus
Adhering to the rule of thirds
Framing the shot
Achieving a good color balance
Keeping shots steady
Using smooth zooms and pans
Establishing opening and closing shots
Transitioning from exteriors to interiors
Editing cutaways
Using lights
Using trucking shots
Working with audio

Skills covered

Shooting VideoPremiere ProVideoAdobeDeep Dive (X:Y)

Concepts

0. Introduction

  • 01 - Welcome
  • 02 - Using the exercise files

1. Telling Stories

  • 03 - Creating effective stories
  • 04 - Supporting your message visually and aurally
  • 05 - Planning your shoot
  • 06 - Variety is an editor's best friend

2. Using Standard Still Photography Techniques

  • 07 - Setting proper exposure, shutter speed, and focus
  • 08 - Adhering to the rule of thirds
  • 09 - Filling the viewfinder and framing the shot
  • 10 - Incorporating strong foreground elements
  • 11 - Using diagonal lines and curves
  • 12 - Finding unusual angles

3. Using Basic Video Shooting Techniques

  • 13 - Getting a good color balance
  • 14 - Keeping your shots steady
  • 15 - Using smooth zooms and pans
  • 16 - Avoiding a break in the plane

4. Shooting the Two Most Important Shots

  • 17 - Shooting an establishing shot
  • 18 - Shooting a closing shot

5. Getting a Variety of Shots

  • 19 - Shooting matched action and wide and tight shots
  • 20 - Getting sequences
  • 21 - Editing matched action and sequences
  • 22 - Transitioning from exteriors to interiors
  • 23 - Shooting cutaways
  • 24 - Editing cutaways
  • 25 - Using lights

6. Moving the Camera

  • 26 - Anticipating and following the action
  • 27 - Letting action start or end out of frame
  • 28 - Using trucking shots
  • 29 - Leaning forward or backward and tilting up or down
  • 30 - Shooting point-of-view (POV) shots

7. Working with Audio

  • 31 - Getting good sound bites
  • 32 - Getting plenty of natural sound
  • 33 - Using specialized audio editing techniques

Conclusion

  • 34 - Goodbye

Bonus Chapter - Edited Sequences

  • 35 - Bakery sequence
  • 36 - Chocolatier sequence
  • 37 - Farrier sequence
  • 38 - Horse jumping sequence
  • 39 - Painter sequence
  • 40 - Sushi sequence
  • 41 - Woodturner sequence

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