Start Printing Your Photos
1h 37mIntermediate2018-05-14
Authors

Kevin Ames
Commercial Photographer
Course details
The key to making great prints is controlling the color that gets sent to the printer. By understanding how humans see color—and how digital cameras record that color—and leveraging that knowledge throughout the production process, you can ensure that you're able to translate what your camera captures into colors that printers can reproduce. In this course, Kevin Ames shows how to make high-quality color prints. Learn how to properly calibrate your monitor and printer, manage color in Photoshop and Lightroom, select the right color settings for websites, and more. Upon completing this course, you'll have a better understanding of how color works— from capture to output—and how to control it so you can make great prints from your digital photographs.
Learning objectives
How the human eye sees color
Understanding color temperature
How digital cameras record color
Color correcting without color reference
Using color reference charts when shooting
Sharpening and lens corrections in Lightroom
Monitor calibration for accurate color with X-Rite i1 and Spyder ELITE
Calibrating your printer
Selecting the right color settings for websites
Learning objectives
How the human eye sees color
Understanding color temperature
How digital cameras record color
Color correcting without color reference
Using color reference charts when shooting
Sharpening and lens corrections in Lightroom
Monitor calibration for accurate color with X-Rite i1 and Spyder ELITE
Calibrating your printer
Selecting the right color settings for websites
Skills covered
Photography PrintingPhotographyDeep Dive (X:Y)
Concepts
0. Introduction
- 01 - What you learn in this course
1. How Humans See Color
- 02 - The white we see
- 03 - How the environment can change our perceptions
- 04 - Understanding color temperature
2. How Digital Cameras Record Color
- 05 - RGB explained
- 06 - The impact of bit depth on color
- 07 - How file compression (RAW vs. JPEG) affects color
- 08 - Choosing a working color space
- 09 - Color correcting without color reference
3. Color by the Numbers
- 10 - Color by the numbers
- 11 - Using color reference charts when shooting
- 12 - Reference charts for perfect exposures in Photoshop
- 13 - Setting a custom white balance on set
- 14 - Dealing with color cast in Lightroom
- 15 - Reference charts for perfect exposures in Lightroom
- 16 - Sharpening and lens corrections in Lightroom
4. Color Management in Post-Production
- 17 - Monitor too bright Print too dark
- 18 - Monitor calibration for accurate color with X-Rite i1
- 19 - Monitor calibration for accurate color with Spyder ELITE
- 20 - How often do I need to calibrate
5. Printer Calibration
- 21 - Why do we calibrate
- 22 - Printing out patches
- 23 - Reading patches
- 24 - Saving your profile
- 25 - Applying a custom printing profile in Photoshop
- 26 - Printing with a manufacturer's profile in Photoshop
- 27 - Applying a custom printing profile in Lightroom
- 28 - Working with a printing lab
- 29 - Add an ICC profile
6. Color for the Web and Online Proofing
- 30 - Selecting the right color settings for websites
- 31 - Bit depth for the web
- 32 - The effects of web compression on color
Conclusion
- 33 - Next Steps