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Music Theory for Songwriters: The Fundamentals

Music Theory for Songwriters: The Fundamentals

2h 51mBeginner2021-11-29

Authors

Julian Velard

Julian Velard

Singer, Songwriter, Pianoman, Composer

Course details

Music theory is fundamental to making and playing music. However, no one has taught it in such a user-friendly and songwriting-focused way as we do here, using both keyboard and guitar to demonstrate the techniques.

Professional musician Julian Velard starts the course with the building blocks of harmony: notes, scales, intervals, chords, inversions, and basic chord progressions. He then goes into voice leading—showing how to move from one chord to another by changing just one or two notes—and reviews common song forms, from the familiar verse/chorus/verse of pop to the simple verse of the blues. At the end of each chapter, Julian explains the songwriting techniques shown in the chapter within the context of his own original commercially released songs.

Learning objectives
Understanding scales, intervals, and keys
Triads or three-note chords
Triad inversions
Common major-scale chord progressions and cadences
Voice leading
Song form elements such as verse, chorus, bridge, hook, and more
Using common song forms in songwriting

Skills covered

SongwritingAudio and MusicPersona

Concepts

0. Introduction

  • 01 - Music theory fundamentals can help your songwriting
  • 02 - What you should know before watching this course
  • 03 - Why is music theory important and useful

1. The Building Blocks of Harmony

  • 04 - The octave
  • 05 - Seven white notes and five black notes
  • 06 - The diatonic scale and the major scale
  • 07 - Intervals - Perfect and major
  • 08 - Intervals - Minor, augmented, and diminished
  • 09 - The concept of key
  • 10 - The circle of fourths and fifths
  • 11 - Figuring out intervals

2. Triads and Chord Progressions

  • 12 - Triads - The basics of chords
  • 13 - Triad inversions
  • 14 - Chord voicing
  • 15 - Common major scale chord progressions
  • 16 - Authentic cadences
  • 17 - Plagal, half, and deceptive cadences
  • 18 - Triads, chord progressions, and cadences in a song

3. Chord Progressions and Voice Leading

  • 19 - What is voice leading
  • 20 - Voice leading one note between triads
  • 21 - The suspended chord
  • 22 - Voice leading two notes and three notes with major triads
  • 23 - Voice leading two notes and three notes with minor triads
  • 24 - Changing the bass note of a chord
  • 25 - Voice leading chord progressions in a song

4. Song Forms

  • 26 - The importance of song form
  • 27 - Beats, bars, and phrases
  • 28 - The elements of song form
  • 29 - The intro
  • 30 - The verse
  • 31 - The chorus
  • 32 - The hook
  • 33 - The refrain
  • 34 - The bridge or middle 8
  • 35 - The pre-chorus
  • 36 - Familiar pop song forms
  • 37 - Verse, chorus, and bridge forms
  • 38 - Simple verse form
  • 39 - Verse without chorus form
  • 40 - AABA 32-bar form
  • 41 - Through-composed song forms
  • 42 - Looking at a song's form

Conclusion

  • 43 - What comes next

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