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Music Production Secrets: Larry Crane on Mixing

Music Production Secrets: Larry Crane on Mixing

1h 51mIntermediate2013-06-27

Authors

Larry Crane

Larry Crane

Editor, Writer, Recording Engineer, Musician, Educator, Archivist

Course details

Pull more life and energy out of your existing tracks and create great final mixes. Producer and Tape Op magazine founder Larry Crane is back at Jackpot! Recording Studio in Portland, Oregon, to demonstrate mixing techniques that he uses when producing music for well-known musicians She & Him, The Decemberists, Elliott Smith, Jenny Lewis, The Go-Betweens, and Sleater-Kinney. First, learn how to set up a satisfying and efficient place to listen and mix, and get familiar with working with frequencies. Then Larry shares some of his mixing secrets, such as using compression to change drum sounds, using parallel drum buss compression, and cutting frequencies to clean up a mix. In the second half of the course, he demonstrates his sound processing secrets, like how to best use tape delay on vocals, how to create backwards reverb, and how to choose the right distortion on a bass guitar.

Want more music production secrets? Check out Music Production Secrets: Larry Crane on Recording.

Learning objectives
Understanding the mix room acoustics
Cutting frequencies
Prepping vocal takes
Drum mixing
Gating audio for noise elimination or for creative purposes
Creating and using backwards reverb in a DAW
Re-amping guitars, bass, vocals, and more

Skills covered

Pro ToolsMusic ProductionAvidAudio and MusicDeep Dive (X:Y)

Concepts

0. Introduction

  • 01 - Welcome

1. Mixing Secrets

  • 02 - Mix room acoustics
  • 03 - Mixing with multiple speakers
  • 04 - Cutting frequencies
  • 05 - Prepping vocal takes for mixing
  • 06 - Parallel drum buss compression
  • 07 - Preparing the drum tracks for mixing
  • 08 - Drum mixing

2. Sound Processing Secrets

  • 09 - Gating audio for noise elimination
  • 10 - Gating audio for creative and musical purposes
  • 11 - Using analog tape delay for vocals
  • 12 - Creating and using backwards reverb in a DAW
  • 13 - Why compress
  • 14 - Re-amping guitars
  • 15 - Re-amping bass
  • 16 - Re-amping drums
  • 17 - Re-amping vocals
  • 18 - Re-amping a Leslie speaker cabinet

Conclusion

  • 19 - What's next

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