Introduction to Music in Film and Video
1h 50mBeginner2016-06-30
Authors

Ashley Kennedy
Managing Staff Instructor at LinkedIn Learning
Course details
Introduction to Music in Film and Video explores the theory and process of how music combines with the moving image. Staff author Ashley Kennedy begins by exploring the incredible power of music and its effect on tone, emotion, and narrative in film. She incorporates real-world examples to show how music can define a scene's rhythm and style; how it can establish key cinematic themes; and how it can bring unity to shots and scenes. She then explains how to form a proper music plan for the film, from determining the goals and intentions to defining what type of music will serve the project best. After the music planning stage, comes the actual music selection—and Ashley goes through various options in using different types of preexisting music—as well as what it takes to collaborate with a composer.
Learning objectives
Understanding the impact of music on tone, emotion, subtext, rhythm, style, and theme
Setting the music plan
Working with preexisting music: public domain, Creative Commons, and production library music
Working with a composer
Learning objectives
Understanding the impact of music on tone, emotion, subtext, rhythm, style, and theme
Setting the music plan
Working with preexisting music: public domain, Creative Commons, and production library music
Working with a composer
Skills covered
FilmmakingVideo ProductionIntroduction toVideo
Concepts
0. Introduction
- 01 - Welcome
1. The Impact of Music
- 02 - The power of music - Emotion, subtext, information, and rhythm
- 03 - Music as a unifier and connector
- 04 - Background music and more - Examining the non-diegetic score
- 05 - Source music - Examining the diegetic score
- 06 - Instrumentation, style, and emotion
2. Setting Up Your Music Plan
- 07 - Before adding music - Analyzing your video project
- 08 - Choosing your music options - Create your own, license preexisting music, or hire a composer
3. Working with Preexisting Music
- 09 - Exploring free music options (public domain and Creative Commons)
- 10 - Using preexisting music (nonlibrary option)
- 11 - Using production music (library options - rights managed and royalty free)
- 12 - Finding the right production music for your film
4. Working with a Composer
- 13 - The spotting session - Planning the music cues
- 14 - Understanding the general workflow and review process for working with a composer
- 15 - An inside look - Conversations with editors and composers
Conclusion
- 16 - Next steps
Related courses
- Introduction to Video Sound Design
- Introduction to Songwriting
- Getting Started in After Effects for Illustrator Users
- Discover the Possibilities of Generative AI
- Introduction to Multimodal Prompting for Generative AI
- Introduction to NFTs: Non-fungible Tokens
- Audio Foundations: Sampling
- Learning Max for Ableton Live