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Illustrator: Drawing without the Pen Tool

Illustrator: Drawing without the Pen Tool

4h 40mIntermediate2011-10-06

Authors

Mordy Golding

Mordy Golding

Director of Content at LinkedIn

Course details

In this installment of the Illustrator Insider Training series, Mordy Golding shows how to draw vector artwork quickly, precisely, and efficiently—without having to think about technical concepts like anchor points or control handles. The course highlights intuitive drawing techniques using the Pathfinder functions, Live Paint groups, Shape Builder tool, and variable-width strokes. It also describes the sketching workflow and features in Illustrator that use pressure-sensitive drawing tablets, allowing designers to focus more on their creativity.

Learning objectives
Drawing artwork versus building artwork
Sketching ideas on paper
Creating curves with the Reshape tool
Recording actions for speed and accuracy
Working with the Pathfinder functions
Understanding how Live Paint works
Using the Shape Builder tool
Building and coloring artwork at the same time
Turning variable-width strokes into filled paths
Adjusting the behavior of the Pencil tool
Drawing with the Calligraphic brush

Skills covered

IllustrationIllustratorAdobeAnimation and IllustrationDeep Dive (X:Y)

Concepts

0. Introduction

  • 01 - Welcome
  • 02 - The evolution of vector drawing
  • 03 - Getting the most out of this training
  • 04 - Using the exercise files

1. Core Drawing Concepts

  • 05 - Plotting points vs. drawing paths
  • 06 - Drawing artwork vs. building artwork
  • 07 - The keyboard shortcuts you HAVE to know
  • 08 - Groups and layers really do matter
  • 09 - Taming Smart Guides and the Bounding Box
  • 10 - Do you need a drawing tablet

2. Workflow - Drawing Paths

  • 11 - To sketch or not to sketch
  • 12 - Setting up a template layer for your sketch
  • 13 - Optimizing default settings for drawing
  • 14 - Using the primitive shapes tools
  • 15 - Mastering the modifier keys
  • 16 - Mastering the transform tools
  • 17 - Creating curves with the Reshape tool
  • 18 - Using the Smooth tool
  • 19 - Using Simplify to create smooth paths
  • 20 - Recording an action for the Simplify command
  • 21 - Mirroring art for speed and accuracy

3. Pathfinder - Drawing with Math

  • 22 - Deconstructing the Pathfinder panel
  • 23 - Using the Shape Modes functions
  • 24 - Using the Pathfinder functions
  • 25 - Understanding how compound shapes work
  • 26 - Understanding why compound shapes exist
  • 27 - Exploring additional Pathfinder options

4. Live Paint - Changing the Rules

  • 28 - Why Live Paint was created
  • 29 - Creating a Live Paint group
  • 30 - Using the Live Paint Bucket tool
  • 31 - Using Live Paint with open paths
  • 32 - Detecting gaps in Live Paint groups
  • 33 - Adding paths to a Live Paint group
  • 34 - Using the Live Paint Selection tool
  • 35 - Releasing and expanding Live Paint groups
  • 36 - Understanding how Live Paint works

5. Shape Builder - Building Artwork

  • 37 - Why the Shape Builder tool was created
  • 38 - Focusing on the big three - Add, Subtract, and Divide
  • 39 - Using the Shape Builder tool to add and subtract artwork
  • 40 - Using the Shape Builder to divide artwork
  • 41 - Building and coloring artwork at the same time
  • 42 - Using Gap Detection with the Shape Builder tool

6. Adding Expression - Variable Widths

  • 43 - Understanding how variable widths work
  • 44 - Modifying width points along a path
  • 45 - Saving time with width profiles
  • 46 - Turning variable width strokes into filled paths

7. Drawing with a Tablet

  • 47 - Understanding how the Pen and Pencil tools differ
  • 48 - Adjusting the behavior of the Pencil tool
  • 49 - Using the Path Eraser tool
  • 50 - Drawing with the Calligraphic Brush tool
  • 51 - Drawing with the Blob Brush tool
  • 52 - Using the Eraser tool

Conclusion

  • 53 - Looking at the VectorScribe plug-in
  • 54 - Next steps

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