Creating a Short Film: 07 Cinematography
4h 45mBeginner2017-09-12
Authors

Chad Perkins
Award-Winning Filmmaker, Published Author
Course details
The 13-part Creating a Short Film training series showcases what it actually takes to create a short film—from the brainstorming stage, all the way until opening night. Each installment of the series focuses on different aspects of the production workflow. Here, filmmaker Chad Perkins focuses on cinematography, providing real-world context by showing how the concepts highlighted in the course were applied in the making of The Assurance, the short film featured throughout the series. Chad starts with the basics of cinematography, including how to adjust exposure, get coverage, create more powerful camera moves, and use three-point lighting effectively. He also demonstrates how to set up and frame a shot, use lenses as a storytelling tool, properly light your actors, and more. The course concludes with real world projects that examine how to improve boring and ugly shots step-by-step.
Learning objectives
Understanding exposure
Getting coverage
Diffusing, blocking, and shaping light
Shooting at night
Using wide and long lenses
Telling stories with camera movement
Framing the shot
Using mobile cinematography apps
Mastering cinematic lighting
Using common grip equipment
Lighting people in a flattering way
Achieving a shallow depth of field
Creating more cinematic shots
Working as a Director of Photography
Learning objectives
Understanding exposure
Getting coverage
Diffusing, blocking, and shaping light
Shooting at night
Using wide and long lenses
Telling stories with camera movement
Framing the shot
Using mobile cinematography apps
Mastering cinematic lighting
Using common grip equipment
Lighting people in a flattering way
Achieving a shallow depth of field
Creating more cinematic shots
Working as a Director of Photography
Skills covered
CinematographyFilmmakingVideo
Concepts
0. Introduction
- 01 - About this training series
- 02 - The assurance
- 03 - Why is cinematography important
- 04 - About our camera department
1. Cinematography Basics
- 05 - Understanding exposure
- 06 - Adjusting exposure with the aperture
- 07 - Adjusting the shutter speed
- 08 - Adjusting ISO
- 09 - Exposing for the subject
- 10 - Using a light meter
- 11 - Evaluating a histogram
- 12 - Choosing a frame rate
- 13 - Shooting slow motion footage
2. Setting Up the Shot
- 14 - The cinematography workflow
- 15 - Understanding shot sizes
- 16 - Using POV shots
- 17 - Understanding the line
- 18 - Crossing the line effectively
- 19 - Creating dimension
- 20 - Selecting the aspect ratio
- 21 - Leading the eye
- 22 - Cheating lights and talent
3. Framing the Shot
- 23 - The importance of framing
- 24 - Understanding the hierarchy of importance
- 25 - Utilizing thirds
- 26 - Centering the subject
- 27 - Using high and low angles
4. Lighting in Theory
- 28 - Mastering three point lighting
- 29 - Deciding light motivation
- 30 - Hard light vs. Soft light
- 31 - Selecting a light temperature
- 32 - Avoiding sourcey light
- 33 - Using different types of light fixtures
- 34 - Realism vs. Beauty
- 35 - Using cinematography apps
5. Lighting in Practice
- 36 - Mastering cinematic lighting
- 37 - Diffusing light
- 38 - Blocking and bouncing light
- 39 - Using scrims
- 40 - Working with natural light
- 41 - Shooting night scenes
- 42 - Making magic with fog
- 43 - Coloring light with gels
- 44 - Using common grip equipment
- 45 - Creating lens flares
- 46 - Preventing lens flares
- 47 - Practicing lighting etiquette
6. Lighting People
- 48 - Where should you place lights
- 49 - Lighting from above
- 50 - Lighting from below
- 51 - Minimizing blemishes
- 52 - Making light flattering
- 53 - Using eye lights
- 54 - Making a silhouette
- 55 - Creating the film noir look
- 56 - Lighting dialog scenes
7. Camera Basics
- 57 - Which camera should you use
- 58 - Building the camera
- 59 - Supporting the camera
- 60 - Achieving critical focus
- 61 - White balancing the camera
- 62 - Setting up video village
8. Telling the Story with Lenses
- 63 - Using lenses to tell a story
- 64 - Working with wide lenses
- 65 - Working with long lenses
- 66 - Creating a shallow depth of field
- 67 - Using premium optics
- 68 - Racking focus
9. Moving the Camera
- 69 - Tilting and panning the camera
- 70 - Moving the camera
- 71 - Using a slider
- 72 - Adding emotion with camera moves
- 73 - Adding visual interest with camera moves
- 74 - Directing virtual camera moves in post
- 75 - Shooting the opening title sequence
10. Creating Cinematic Shots
- 76 - Critiquing the shot
- 77 - Changing the background
- 78 - Adding depth and changing lenses
- 79 - Rethinking the lighting
- 80 - Changing the tone with gels
11. Fixing Mistakes
- 81 - Fixing the mistakes in the assurance
- 82 - What went wrong with the faceoff shot
- 83 - Recreating the faceoff shot
- 84 - Flagging the light
- 85 - Bouncing light onto the background
12. Working as DP
- 86 - Responsibilities of the DP
- 87 - Knowing the script
- 88 - Scouting locations
- 89 - Getting coverage
- 90 - Gear - Renting vs. Buying
- 91 - Working with the crew
- 92 - Choosing the recording format
- 93 - Perfecting the shot vs. Fixing it in post
- 94 - Stealing shots
- 95 - Shooting visual effects
Conclusion
- 96 - Improving your DP skills
- 97 - Previewing the next course
- 98 - Final thoughts
Related courses
- Creating a Short Film: 04 Working with Actors
- Creating a Short Film: 05 Directing
- Creating a Short Film: 06 Working on Set
- Creating a Short Film: 08 Editing
- Creating a Short Film: 09 VFX Environments
- Creating a Short Film: 10 VFX Effects
- Creating a Short Film: 01 Producing
- Creating a Short Film: 02 Writing