Audio Mastering Techniques
2h 1mIntermediate2013-01-23
Authors

Bobby Owsinski
Music Industry Author and Thought Leader
Course details
Mastering audio is the final stage in music production, where the final set of mixed songs are turned into a cohesive album through a variety of processes that make the music sound the best it can, wherever it's played. Join author and producer Bobby Owsinski in this course, as he teaches essential mastering concepts and techniques used by experienced audio engineers. Follow along as he works at Oasis Mastering, a real-world mastering facility, and learn how to apply these techniques to your home or studio setup and make your projects sound better than ever.
First, discover how to configure your monitoring setup, optimize your listening environment, and prepare and print alternative mixes that will allow you to make quick fixes during mastering. Bobby then reviews a selection of dedicated mastering tools that give you precise control over select signal parameters, from compressors to de-essers. He'll discuss the differences between mastering for CD, online distribution, and specifically for iTunes, and how to achieve the best results for each medium. The course wraps with lessons on mastering for high-resolution formats like Blu-ray, as well as delivering and archiving the master recording once the project is complete.
Learning objectives
What is mastering?
Preparing your tracks for mastering
Deciding between monitors and headphones
Exploring the dynamic range of different music genres
Adjusting song balances
Compressing the tracks
Balancing frequency
Reducing sibilance with a de-esser
Inserting fades
Eliminating noise
Mastering CDs, MP3s, and AACs for iTunes
Archiving masters
First, discover how to configure your monitoring setup, optimize your listening environment, and prepare and print alternative mixes that will allow you to make quick fixes during mastering. Bobby then reviews a selection of dedicated mastering tools that give you precise control over select signal parameters, from compressors to de-essers. He'll discuss the differences between mastering for CD, online distribution, and specifically for iTunes, and how to achieve the best results for each medium. The course wraps with lessons on mastering for high-resolution formats like Blu-ray, as well as delivering and archiving the master recording once the project is complete.
Learning objectives
What is mastering?
Preparing your tracks for mastering
Deciding between monitors and headphones
Exploring the dynamic range of different music genres
Adjusting song balances
Compressing the tracks
Balancing frequency
Reducing sibilance with a de-esser
Inserting fades
Eliminating noise
Mastering CDs, MP3s, and AACs for iTunes
Archiving masters
Skills covered
iTunesAudio MasteringPro ToolsAvidAppleAudio and MusicOne-Off
Concepts
0. Introduction
- 01 - Welcome
1. What Is Mastering
- 02 - Introducing mastering
- 03 - The history of audio mastering
- 04 - Mastering professionally versus doing it yourself
2. Prepping Your Tracks for Mastering
- 05 - Mixing with mastering in mind
- 06 - Mastering session documentation
- 07 - Printing alternative mixes
3. Monitoring for Mastering
- 08 - Evaluating your listening environment
- 09 - Beginning with the basic listening technique
- 10 - Deciding between monitors and headphones
4. Tools for Mastering
- 11 - Overview of mastering tools
- 12 - Exploring the dynamic ranges of different music genres
- 13 - Understanding compression
- 14 - Understanding limiting
- 15 - Understanding equalization (EQ)
- 16 - Using a de-esser
- 17 - Metering while mastering
- 18 - Exploring the mastering signal path
- 19 - Listening in your digital audio workstation (DAW) using the A B method
5. The Mechanics of Mastering
- 20 - Making a loud master
- 21 - Compression tips and tricks
- 22 - Achieving competitive level
- 23 - Understanding the pitfalls of hypercompression
- 24 - Balancing frequencies
- 25 - Reducing sibilance with a de-esser
- 26 - Inserting fades
- 27 - Eliminating noise and distortion
- 28 - Using multiband limiting
- 29 - Adjusting the stereo image
- 30 - Bringing out specific elements in a mix
6. Mastering for CD
- 31 - Using dither
- 32 - Using the appropriate workstation
- 33 - Adjusting the spreads
- 34 - Using International Standard Recording Codes (ISRC)
- 35 - Using Universal Product Codes (UPC)
- 36 - Creating CD-text discs
- 37 - Delivering or receiving a DDP master
7. Mastering for Online Content
- 38 - Encoding using the MP3 format
- 39 - Understanding MP3 metadata
- 40 - Creating a great-sounding MP3
- 41 - Generating a FLAC file
- 42 - Submitting music to online stores and services
- 43 - Submitting music to online song databases
8. Mastering for iTunes
- 44 - Understanding AAC, the iTunes file format
- 45 - Mastering for iTunes tips and tricks
- 46 - The Mastered for iTunes format
- 47 - The Mastered for iTunes tool package
- 48 - Using the iTunes Plus tools - iTunes Droplet
- 49 - Using the Mastered for iTunes Audio To WAVE Droplet
- 50 - Using the Mastered for iTunes AURoundTripAAC Audio Unit tool
- 51 - Using The Mastered for iTunes tools Test Pressing Feature
9. High-Resolution Mastering
- 52 - Mastering for high resolution
- 53 - Mastering for television
10. Archiving the Master
- 54 - Delivering the master to the replicator
- 55 - Archiving the project
Conclusion
- 56 - Next steps
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