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After Effects Guru: Color Grading Footage

After Effects Guru: Color Grading Footage

3h 11mIntermediate2020-03-11

Authors

Richard Harrington

Richard Harrington

Digital Video Expert, Educator, Speaker

Course details

Adobe After Effects offers a wealth of tools for making both technical and artistic color changes to footage. Whether color correcting footage for consistency or color grading to create mood, adjusting color is a critical phase of post-production. Instructor Rich Harrington introduces a basic workflow for getting a shot back to its best natural state and shares advanced techniques to push footage further, such as converting it to black and white or adding creative color.

Topics include:
- Evaluating the shot
- Fixing white balance
- Fixing exposure and tone
- Adjusting color
- Converting to black and white
- Reading scopes
- Using adjustment layers
- Creating a film look
- Adding texture
- Working with third-party tools

Skills covered

Motion GraphicsAfter EffectsRenderingMotion Graphics and VFXVisualization and Real-TimeLimited SeriesAdobeAECProduct and ManufacturingAnimation and Illustration

Concepts

0. Introduction

  • 01 - Color grading footage in After Effects
  • 02 - Exercise files
  • 03 - Moving from Final Cut Pro X to After Effects
  • 04 - Moving from Premiere Pro to After Effects
  • 05 - Using the Media Browser
  • 06 - Strategies to improve file naming and timecode

1. The Color Grading Workflow

  • 07 - Evaluating the shot
  • 08 - Fixing white balance
  • 09 - Fixing exposure and tone
  • 10 - Adjusting color
  • 11 - Applying enhancements
  • 12 - Reusing adjustments

2. Essential Techniques

  • 13 - Using adjustment layers
  • 14 - Applying LUTs with the Lumetri effect
  • 15 - Saving animation presets
  • 16 - Strategies for tough white balance - Levels and curves
  • 17 - Strategies for tough white balance - Neutralizing, part 1
  • 18 - Strategies for tough white balance - Neutralizing, part 2
  • 19 - Comparing effects

3. Fixing Exposure and Tone

  • 20 - Fixing tone with the Lumetri effect
  • 21 - Fixing exposure and tone with Curves
  • 22 - Using auto adjustments
  • 23 - The Shadow or Highlights adjustment
  • 24 - Using the Black & White effect for contrast
  • 25 - Using the Equalize command

4. Primary Color Correction

  • 26 - Fixing color cast with tint and white balance
  • 27 - Using the color stabilizer effect
  • 28 - Fixing color with primary color correction
  • 29 - Adding vibrance
  • 30 - Using photo filters
  • 31 - Using a reference color checker
  • 32 - Using blending modes

5. Secondary Color Correction

  • 33 - Creating spot colors with the Black & White effect
  • 34 - Using the Leave Color effect
  • 35 - Adjusting a single color with the Change Color effect
  • 36 - Adding masks and mattes to adjustment layers
  • 37 - Secondary color correction with Curves

6. Black and White and Color Toning

  • 38 - Black and white conversion method 1
  • 39 - Black and white conversion method 2
  • 40 - Black and white conversion method 3
  • 41 - Creating duotone, tritone, and pentone effects
  • 42 - Enhancing with the Colorama effect
  • 43 - Creating custom gradients

7. Finishing Touches

  • 44 - Creating a film look
  • 45 - Adding a power window
  • 46 - Adding texture
  • 47 - Using the creative controls in the Lumetri Color effect

8. Working with Third-Party Tools

  • 48 - Creating a LUT with Photoshop
  • 49 - Creating a LUT with IWLTBAP
  • 50 - Creating a LUT with 3D LUT Creator

Conclusion

  • 51 - Conclusion

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