After Effects Guru: Color Grading Footage
3h 11mIntermediate2020-03-11
Authors

Richard Harrington
Digital Video Expert, Educator, Speaker
Course details
Adobe After Effects offers a wealth of tools for making both technical and artistic color changes to footage. Whether color correcting footage for consistency or color grading to create mood, adjusting color is a critical phase of post-production. Instructor Rich Harrington introduces a basic workflow for getting a shot back to its best natural state and shares advanced techniques to push footage further, such as converting it to black and white or adding creative color.
Topics include:
- Evaluating the shot
- Fixing white balance
- Fixing exposure and tone
- Adjusting color
- Converting to black and white
- Reading scopes
- Using adjustment layers
- Creating a film look
- Adding texture
- Working with third-party tools
Topics include:
- Evaluating the shot
- Fixing white balance
- Fixing exposure and tone
- Adjusting color
- Converting to black and white
- Reading scopes
- Using adjustment layers
- Creating a film look
- Adding texture
- Working with third-party tools
Skills covered
Motion GraphicsAfter EffectsRenderingMotion Graphics and VFXVisualization and Real-TimeLimited SeriesAdobeAECProduct and ManufacturingAnimation and Illustration
Concepts
0. Introduction
- 01 - Color grading footage in After Effects
- 02 - Exercise files
- 03 - Moving from Final Cut Pro X to After Effects
- 04 - Moving from Premiere Pro to After Effects
- 05 - Using the Media Browser
- 06 - Strategies to improve file naming and timecode
1. The Color Grading Workflow
- 07 - Evaluating the shot
- 08 - Fixing white balance
- 09 - Fixing exposure and tone
- 10 - Adjusting color
- 11 - Applying enhancements
- 12 - Reusing adjustments
2. Essential Techniques
- 13 - Using adjustment layers
- 14 - Applying LUTs with the Lumetri effect
- 15 - Saving animation presets
- 16 - Strategies for tough white balance - Levels and curves
- 17 - Strategies for tough white balance - Neutralizing, part 1
- 18 - Strategies for tough white balance - Neutralizing, part 2
- 19 - Comparing effects
3. Fixing Exposure and Tone
- 20 - Fixing tone with the Lumetri effect
- 21 - Fixing exposure and tone with Curves
- 22 - Using auto adjustments
- 23 - The Shadow or Highlights adjustment
- 24 - Using the Black & White effect for contrast
- 25 - Using the Equalize command
4. Primary Color Correction
- 26 - Fixing color cast with tint and white balance
- 27 - Using the color stabilizer effect
- 28 - Fixing color with primary color correction
- 29 - Adding vibrance
- 30 - Using photo filters
- 31 - Using a reference color checker
- 32 - Using blending modes
5. Secondary Color Correction
- 33 - Creating spot colors with the Black & White effect
- 34 - Using the Leave Color effect
- 35 - Adjusting a single color with the Change Color effect
- 36 - Adding masks and mattes to adjustment layers
- 37 - Secondary color correction with Curves
6. Black and White and Color Toning
- 38 - Black and white conversion method 1
- 39 - Black and white conversion method 2
- 40 - Black and white conversion method 3
- 41 - Creating duotone, tritone, and pentone effects
- 42 - Enhancing with the Colorama effect
- 43 - Creating custom gradients
7. Finishing Touches
- 44 - Creating a film look
- 45 - Adding a power window
- 46 - Adding texture
- 47 - Using the creative controls in the Lumetri Color effect
8. Working with Third-Party Tools
- 48 - Creating a LUT with Photoshop
- 49 - Creating a LUT with IWLTBAP
- 50 - Creating a LUT with 3D LUT Creator
Conclusion
- 51 - Conclusion
Related courses
- After Effects Guru: Keying with Keylight
- Premiere Pro Guru: Fixing Video Exposure Problems
- Premiere Pro Guru: Fix It in Post
- After Effects Guru: Advanced Photoshop Integration
- Premiere Pro Guru: LUTs and Look Files
- After Effects Guru: Advanced Photoshop Techniques
- After Effects Guru: Animating Logos
- After Effects Guru: Creating Presets and Controllers