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Advanced Photoshop: Blending, Masking, and Compositing

Advanced Photoshop: Blending, Masking, and Compositing

4h 3mAdvanced2011-11-28

Authors

Deke McClelland

Deke McClelland

Author, Educator, Image Editing and Graphic Design Expert

Course details

Advanced Blending is the second installment in Deke McClelland's series on making photorealistic compositions in Photoshop. The course explores blending options and shows how to use them to create sophisticated effects and seamless compositions, often without masking. Beginning with the basics of blending layered images, the course sheds light on the formulas behind the Photoshop blend modes and shows how to comp scanned line art, create double-exposure effects, correct skin tones, and work with the luminance sliders.

Learning objectives
Assembling dynamic Dissolve effects
Filling and stroking with Behind and Clear
Cleaning up and compositing scanned line art
Understanding the darken, lighten, and contrast modes
Refining a mask with Multiply and Screen
Creating a glowing, soft-focus effect
Blending images with textures
Comparing two seemingly identical images
Creating type that inverts everything behind it
Colorizing artwork with layers
Achieving greater control with the Blend If option

Skills covered

Photo CompositingImage EditingPhotoshopAdvancedPhotographyAdobe

Concepts

0. Introduction

  • 01 - Welcome

1. The Power of Blending

  • 02 - When in doubt, blend
  • 03 - Where to find blending options
  • 04 - 27 blend modes, 6 groups
  • 05 - Opacity vs. Fill Opacity
  • 06 - The Fill Opacity Eight
  • 07 - Blending adjustment layers
  • 08 - Blend mode shortcuts

2. The Revelation of Blending Math

  • 09 - The power of standardized arithmetic
  • 10 - Photoshop's blending formulas
  • 11 - Darken formulas vs. lighten formulas
  • 12 - Contrast mode formulas
  • 13 - Inversion, cancelation, and HSL

3. The Normal Modes

  • 14 - Normal mode vs. Dissolve mode
  • 15 - Making a dynamic Dissolve effect
  • 16 - Creating a Dissolve text effect
  • 17 - The Behind and Clear modes
  • 18 - Filling a stroke with Behind and Clear

4. The Darken Modes

  • 19 - Darken vs. Darker Color
  • 20 - Creating filter effects with Darken
  • 21 - The Multiply and Burn modes
  • 22 - Cleaning up scanned line art
  • 23 - Comping line art against a photo
  • 24 - Colorizing comped line art
  • 25 - Masking with a darken mode
  • 26 - Refining a mask with Multiply

5. The Lighten Modes

  • 27 - Lighten vs. Lighter Color
  • 28 - Creating filter effects with Lighten
  • 29 - The Screen and Dodge modes
  • 30 - Blending white type, darkening shadows
  • 31 - Creating a classic double-exposure effect
  • 32 - Making dark line art bright
  • 33 - Masking with a lighten mode
  • 34 - Refine, filter, and blend

6. The Contrast Modes

  • 35 - Overlay, Soft Light, and Hard Light
  • 36 - Vivid, Linear, and Pin Light
  • 37 - The amazing Hard Mix mode
  • 38 - Two variations on a single mode
  • 39 - Adding clarity with a contrast mode
  • 40 - Creating a glowing, soft-focus effect
  • 41 - Blending an image with a paper texture
  • 42 - Turning flesh into stone

7. The Inversion and Cancelation Modes

  • 43 - Difference, Exclusion, Subtract, and Divide
  • 44 - Comparing seemingly identical images
  • 45 - Creating type that inverts any background
  • 46 - Making inversion type black and white

8. The Component (HSL) Modes

  • 47 - Luminosity, Color, Hue, and Saturation
  • 48 - Colorizing artwork with layers
  • 49 - Correcting skin tones with Hue

9. The Luminance Sliders

  • 50 - Using the This Layer slider option
  • 51 - Using the Underlying Layer slider option
  • 52 - Achieving greater control with Blend If

Conclusion

  • 53 - Next steps

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